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In Nehruviandoom MF Doom is the highlight providing fans with a set of sounds that could be added to his brilliant Special Herbs Collection.Ħ. But you begin to wonder if Doom could have approached this idea differently with other young rappers who have similar style to Doom due to his influence including Milo, Earl Sweatshirt, and even Vince Staples.
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I congratulate Doom for collaborating with a young rapper who shows potential in flow and even shows signs of lyrical skill. The main weakness for Nehru would be his hook game which in songs like "So Alone," "Darkness (HBU)." "Mean the Most" and even "Great Things." You can't help but cringe at the chorus while still bobbing your head at Doom's instrumental. I wouldn't fully call this an MC drowning in the production as Bishop Nehru does keep an interesting flow throughout the project and provides an interesting subject matter that keeps you engaged as you listen. Doom's production is solid as always and the standout aspect of the project, Nehru does display interesting patterns about his rapping style but the main reason for listening to the album is for Doom's beats. This collaboration includes Doom producing the beats for young and upcoming rapper Bishop Nehru. Here's a list depicting all of Doom's collaborative albums ranked from worst to best taking in all the ideas, impact, and overall fan impression of each project.ĮD NOTE: Doom's Czarface Meets Metal Face collab just came out now and it's a good one too. From young rappers to other legends that have been in the game for decades, Doom grew as both a person and MC to create a diverse catalogue of experimental music mixed with daring rhymes. Looking at the list of artists Doom has worked with, you can't help but admire the abundance of ideas he has created and ventured to. If that’s the case, I’m proud to say that Madvillainy was my 36 Chambers.Perfect Sound Forever: MF Doom collaborations
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It’s a melding of the minds.Įarl Sweatshirt once said it did for us what Wu-Tang did for '80s babies.
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Madvillainy is so much more than just a dope collaboration. Even when he “hold the microphone and stole the show for fun,” DOOM and Madlib are swinging for the fences on every single track. When he’s not flexing about how he’s got the “best rolled L's” (“ America’s Most Blunted”), he’s dressing down the police force with reckless abandon (“ Strange Ways”). “ The rest is empty with no brain but the clever nerd / The best MC with no chain ya ever heard,” DOOM snarls at the opening of “ Figaro,” internal rhymes falling in lockstep with the muted thump and guitar strums of Madlib’s beat. Its greatness stems from being a truly great rap album even when separated from the pedigree of everyone involved. It isn’t even great just because of how its greatness feeds into the legends of both the metal-faced villain and Oxnard, CA’s finest producer. It isn’t just because this is the album that put Stones Throw Records on the independent music map. Danger Doom (Danger Mouse & MF DOOM) - The Mouse and The Mask (2005) Hood is a fun and breezy record that helped lay the groundwork for the villainy that was to come. Where else will a rapper chart out the chase for Little Black Sambo with Bert and Ernie from Sesame Street? Even given its content, Mr. Many of DOOM’s trademarks can be traced back to this album: his obscure sampling palette (the album’s titular narrator of sorts is culled audio from a language-learning tape), his internal rhyme schemes, and his conceptual genius. Their debut album is a walking tour of Long Beach, New York, made up of wide-eyed Afrocentric raps over sweet, tinny R&B flips. He, his brother DJ Subroc and Onyx The Birthstone Kid subscribed to the same freewheeling positive vibes that members of the Native Tongues like A Tribe Called Quest and De La Soul did. Before the mask and the mystery, there was Zev Love X, a Five-Percenter with a high-pitched voice and bars ready to unspool. Hood isn’t technically a DOOM album, there is no MF DOOM without KMD.
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